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<channel>
	<title>Zihao Lu</title>
	<link>https://zihao-lu.com</link>
	<description>Zihao Lu</description>
	<pubDate>Mon, 25 Jul 2022 14:06:31 +0000</pubDate>
	<generator>https://zihao-lu.com</generator>
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		<title>Front page</title>
				
		<link>https://zihao-lu.com/Front-page</link>

		<pubDate>Mon, 25 Jul 2022 14:06:27 +0000</pubDate>

		<dc:creator>Zihao Lu</dc:creator>

		<guid isPermaLink="true">https://zihao-lu.com/Front-page</guid>

		<description>&#60;img width="4500" height="3334" width_o="4500" height_o="3334" data-src="https://freight.cargo.site/t/original/i/d59fdb20ad05866b0f443a0427f40e48d625571be201428a6a756e62c6a89762/Head5-02.jpg" data-mid="150141055" border="0"  src="https://freight.cargo.site/w/1000/i/d59fdb20ad05866b0f443a0427f40e48d625571be201428a6a756e62c6a89762/Head5-02.jpg" /&#62;

Designer Information
Zihao Lu is a visual communication designer and&#38;nbsp;an experimental artist .
His practice is dedicated to exploring the connections between space, race, cultures, as well as the boundaries between people. Zihao observes and critically reflects on his surroundings, social issues, and human nature; and expresses his ideas in various media such as experimental moving images, performance, narrative, photography, architecture, installation, and choreography. Every deconstruction and reconstitution challenges his self-perception and professional boundaries. 
He previously graduated from Tsinghua University - Visual Communication Design (MA). Prior to his study at the Royal College of Art, he worked as a Visual Design Consultant and a freelance Graphic Designer and in Beijing.

&#60;img width="1536" height="2048" width_o="1536" height_o="2048" data-src="https://freight.cargo.site/t/original/i/381470146ad3b366f0e3d1df42d9ceea484f133b4dc7749889872d2401aea54c/23e30cdc-3a40-46ac-8db7-f7f28a07f02e.JPG" data-mid="150137292" border="0"  src="https://freight.cargo.site/w/1000/i/381470146ad3b366f0e3d1df42d9ceea484f133b4dc7749889872d2401aea54c/23e30cdc-3a40-46ac-8db7-f7f28a07f02e.JPG" /&#62;


Participants Recruiting:&#38;nbsp;
Collective Improvisation Jam
Workshop Series - Recruiting proposal


We are Zihao and Dor, a Royal College of Art graduates duo who research and design interactive experiences at the intersection of dance, technology and cognitive science. We are writing to you regarding our workshop ‘Psychedelic Invasion: Collective Improvisation Jam’ that we have been perfecting under the roof of the RCA for the past year.
Our workshop is a movement-based experience offered in 90 minutes-long sessions. The workshop consists of various dance and mindfulness drills as well as mind-bending guided experiments (safe and natural ). The workshop is accompanied by a curated music playlist that helps the participants to commit to the process, surrender their bodies, and more than anything - surprise themselves! Having a collaborative, spontaneous and expressive nature, the workshop does not require any previous knowledge and is fully adjustable for people with disabilities. We have run multiple successful workshops in the past offering the participants to experience their bodies in a new way, by examining their nonverbal communication skills and expanding their consciousness with breathwork and sensory deprivation. We have observed our workshop-goers making a transformative journey from shy, disconnected from their bodies, concealed individuals to dancers, confidently expressing their minds through movement exchange with others.


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Sign Up
Please Email: zihao.lu@alumni.rca.ac.uk or contact through Mobile/WhatsApp: +44 (0)7759 619637. Apology, so far we can only accept London-based participants.</description>
		
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	<item>
		<title>Collective Improvisation I</title>
				
		<link>https://zihao-lu.com/Collective-Improvisation-I</link>

		<pubDate>Mon, 25 Jul 2022 14:06:28 +0000</pubDate>

		<dc:creator>Zihao Lu</dc:creator>

		<guid isPermaLink="true">https://zihao-lu.com/Collective-Improvisation-I</guid>

		<description>Collective Improvisation I (CiI)Interactive experience (installation)&#60;img width="4500" height="3334" width_o="4500" height_o="3334" data-src="https://freight.cargo.site/t/original/i/2d76f2d88c335ec71bbb706bd89a083ccec05ffd5fb53c8e5dd5baf8475b3cfd/Head3_-1.jpg" data-mid="150140133" border="0"  src="https://freight.cargo.site/w/1000/i/2d76f2d88c335ec71bbb706bd89a083ccec05ffd5fb53c8e5dd5baf8475b3cfd/Head3_-1.jpg" /&#62;

Human beings are living in a divided world. A time of polarisation. From profound rooted issues and conflicts relating to racism to recent events like the pandemic. This research project involves easing the hostilities between people with different backgrounds (cultural, racial, religious, et cetera). Using machine learning and an interactive dance installation as a medium to bring people closer together, find a sense of connection with each other and reduce hostility and prejudice.

On the streets, everyone puts their guards up. Within a two-meter-wide pavement, people tend to walk as far apart as they can when confronted with other strangers. We are so closed and guarded into our comfort zones, even afraid to do anything embarrassing, but when we are dancing, we seem to let go of some of those feelings and unconsciously put our guards down, especially on the dance floor. People do not mind other strangers dancing within only half a meter. The connectedness that dancing creates intrigues the author; he wants to understand why it makes us open up like that. 

The result is an interactive installtion (prototype). It invites people to follow, a Machine Learning ‘choreography’ moving image and dance&#38;nbsp;either alone or with other audience, to experiment if the machine learning result can enhance the sense of connnectedness to each other. The installation will record the dance and automatically put them on the right side of the screen, creating a&#38;nbsp;Asynchronous connection between the different audiences as well as for Zihao’s further research.




Collective Improvisation I&#38;nbsp;Length: 2 min 09 sec

On the other hand, animals do not have or have fewer biases and discriminations. Zihao brought in animal and territoriality study to explore whether people can learn something from how they cope/deal with multi-species and trans territories by observing their body language and dancing behaviour. 

Zihao collected photographs and videos of human and non-human dancing patterns and movements. He used his body as a unified model to mimic the dance moves, creating images that form datasets. These datasets form the 'knowledge' to teach and feed Zihao's AI machine model. The aim is to find hidden links and dance choreographies that humans would have never imagined. 
These new choreographies are shown to Zihao's audience to test whether they can stimulate the urge to dance and bring people closer together to feel connected.

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&#60;img width="2481" height="2476" width_o="2481" height_o="2476" data-src="https://freight.cargo.site/t/original/i/23b0a960732554e7fe264f5fd167dd51b9a922af2c3a1c9cd057addc2ee1790f/332211-01.jpg" data-mid="150129412" border="0"  src="https://freight.cargo.site/w/1000/i/23b0a960732554e7fe264f5fd167dd51b9a922af2c3a1c9cd057addc2ee1790f/332211-01.jpg" /&#62;

dancing movement collection, dataset 02, in total 1670 pics

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Machine Learning Result 02


Machine Learning Result 02 - ‘Latent Walk’
Even though, it doesn’t look like dancing at all, this is a crucial experiment for the project. It made it clear that A.I. ‘sees’ dancing movement as a pure database - colour, pixel pieces, and statistics; although these might not result in the final outcomes of the project, the process contributed to the logic.

In order to 'teach' it the right ‘knowledge’ and try to make it ‘dance,’ instead of figuring the visual moves, Zihao introduced vector and math coordinates into the following experiments.

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Converted Coordinates

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Coordinate collection, dataset 03, in total 1670 pics


Machine Learning Result 03 - ‘Mural Dance’

Because Zihao wanted to create an experience where the audience could interact with the real world and the virtual world at the same time, to enhance and continue this sense of connection, after many experiments and references to reference (Windowology and We Can Dance), constructing an app (or a game) was more in line with his expectations.

The project involves the study of human and non-human dancing behaviours, territoriality study, Machine Learning, App building (coding: HTML, Node.js), etc. techniques.

&#60;img width="2176" height="1384" width_o="2176" height_o="1384" data-src="https://freight.cargo.site/t/original/i/b683734df7febcacd3d779085a3f10d4621b38b2366b5f5ad29dd149d01c0ced/2022-08-11-05.09.29.png" data-mid="150133276" border="0" data-marker-id="2" src="https://freight.cargo.site/w/1000/i/b683734df7febcacd3d779085a3f10d4621b38b2366b5f5ad29dd149d01c0ced/2022-08-11-05.09.29.png" /&#62;</description>
		
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	<item>
		<title>Collective Improvisation II</title>
				
		<link>https://zihao-lu.com/Collective-Improvisation-II</link>

		<pubDate>Mon, 25 Jul 2022 14:06:28 +0000</pubDate>

		<dc:creator>Zihao Lu</dc:creator>

		<guid isPermaLink="true">https://zihao-lu.com/Collective-Improvisation-II</guid>

		<description>Collective Improvisation II (CiII)Interactive experience (installation)&#60;img width="4500" height="3595" width_o="4500" height_o="3595" data-src="https://freight.cargo.site/t/original/i/b73c3572faea9c5434eb84b9945b79cd9dcb75487254c528251516da08c7514b/Head7_-1.jpg" data-mid="150142768" border="0"  src="https://freight.cargo.site/w/1000/i/b73c3572faea9c5434eb84b9945b79cd9dcb75487254c528251516da08c7514b/Head7_-1.jpg" /&#62;

This is the second stage of&#38;nbsp;Collective Improvisation I (CiI). The goal is never changed: using dancing behaviours to bring people closer, ease the gap between people with different cultural, racial, religous backgrounds.

Zihao combined his previous psychedelic research (‘Ecsperience’) with the CiI project together, to keep exploring the connection between people and dancing. The aim of the combination is to merge two experiences together and enhance the sense of connectedness to the audience. During his research, he found that both have similar network systems and both provide a sense of connectedness or a feeling of ‘self-other blurring.’ He used this point as a starter, developed an interactive dancing experience and a workshop series.

In the previous CiI stage, he prototyped the installation and tested it on audiences. After analysing the pros and cons, Zihao strengthened his original installation's shortcomings in encouraging multi-person interaction through his study of psychedelic networks, and explored in greater depth how to continue to bring dance floor connections into reality.&#38;nbsp;

The CiII project applied Machine Learning, Arduino, coding (HTML, Node.js, Python), TouchDesigner, Kinect, skeleton tracing, sound recroding, etc. techniques.





Collective Improvisation II Length: 4 mins 15 sec&#38;nbsp;(Including process, outcome starts from 1:43, exhibition starts from 3:08)

The installation is combined by two screens and two interactive procedures: 1. Dance floor with interactive effects and impacts, maximum participants are four people and the effects will change when different people join in, and there is no effect when only one person dancing&#38;nbsp;for encouraging people connect and interacte with each other instead of dancing alone; 2. Application built by Node.js, for recording everyone’s dance move, creating a&#38;nbsp;Asynchronous connection while audiences can refer their dance moves to others, even learning or copying their movements, providing a sense of connectedness in different time but at the same space.
&#60;img width="1938" height="1088" width_o="1938" height_o="1088" data-src="https://freight.cargo.site/t/original/i/cf1c7011f9f6c04769ab21cb033ea78f5e81661da6117674ba31a70972c4f295/2022-08-12-00.57.37.png" data-mid="150219710" border="0"  src="https://freight.cargo.site/w/1000/i/cf1c7011f9f6c04769ab21cb033ea78f5e81661da6117674ba31a70972c4f295/2022-08-12-00.57.37.png" /&#62;
Interactive Installation Logic

&#60;img width="4032" height="3024" width_o="4032" height_o="3024" data-src="https://freight.cargo.site/t/original/i/a2a3f25c65dd75653c55647a2bdabf6bc4ef9b1c6d87f5281f911b63bbbb7740/IMG_3974.JPG" data-mid="150219756" border="0"  src="https://freight.cargo.site/w/1000/i/a2a3f25c65dd75653c55647a2bdabf6bc4ef9b1c6d87f5281f911b63bbbb7740/IMG_3974.JPG" /&#62;

Iteration &#38;amp; DevelopmentLength: 4 mins 58 sec

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&#60;img width="8000" height="4501" width_o="8000" height_o="4501" data-src="https://freight.cargo.site/t/original/i/b0fcc91c3095b439c5c2f31199e6fb8ad5aec96dfdeaecdf9fbb9d5631c82251/network-02.jpg" data-mid="150144791" border="0"  src="https://freight.cargo.site/w/1000/i/b0fcc91c3095b439c5c2f31199e6fb8ad5aec96dfdeaecdf9fbb9d5631c82251/network-02.jpg" /&#62;
Network development


Machine Learning updating developmentLength: 1 mins 30 sec

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	<item>
		<title>Collective Improvisation Jam (workshop series)</title>
				
		<link>https://zihao-lu.com/Collective-Improvisation-Jam-workshop-series</link>

		<pubDate>Mon, 25 Jul 2022 14:06:29 +0000</pubDate>

		<dc:creator>Zihao Lu</dc:creator>

		<guid isPermaLink="true">https://zihao-lu.com/Collective-Improvisation-Jam-workshop-series</guid>

		<description>Collective Improvisation Jam (CiJ)Workshop Series (in collaboration with Dor Cohen)Collective Improvisation Jam Vol.02 - Hosts by Zihao Lu &#38;amp; Dor Cohen, Recorded By Zihao Lu Length: 1 min 30 sec


Collective Improvisation Jam Vol.03 - Hosts by Zihao Lu &#38;amp; Dor Cohen, Recorded By Zihao Lu Length: 1 min 30 sec


Collective Improvisation Jam Vol.01 - Hosts by Dor Cohen, Recorded By Dor Cohen Length: 1 min 33 sec

The workshop series is branched from the research of Collective Improvisation I &#38;amp; II, as well as a collaborative project with an artist&#38;nbsp;Dor Cohen. It is an on-going outcome as well as Zihao’s primary research for further development of the theme.

The pandemic affected an invisible connection our society has described by Carl Jung as the collective unconsciousness, leading to a further fragmented culture. On the facade, human beings are separated individuals, however, there is a network lying underneath the surface that connects people’s thoughts and minds. In many philosophical and religious traditions, this idea of the inextricable intertwining of the self and the world is known as the oneness hypothesis. Oneness promotes an expansive conception of the self as fundamentally connected to other people. Hyperindividualism and its tendency toward self-centred behaviour are greatly challenged by such views.

 Zihao and Dor formed as a duo that practice together for sharing an interest in dance and the human experience, each coming with their approach and different disciplines. We interlace cognitive and psychedelic study with movement experience-based research. Within our practice, we question and challenge mundane phenomena, through socially engaging projects. We are fascinated with dance for being a primal intuitive means of communication hence our practice explores its boundaries and experiments with their possibility to expand. Moreover, we are intrigued by sensory experiences that teach us more about our bodies and minds, such as being in an altered state of consciousness or encountering an extrasensory perception.


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		<title>Tribal Beijing</title>
				
		<link>https://zihao-lu.com/Tribal-Beijing</link>

		<pubDate>Mon, 25 Jul 2022 14:06:29 +0000</pubDate>

		<dc:creator>Zihao Lu</dc:creator>

		<guid isPermaLink="true">https://zihao-lu.com/Tribal-Beijing</guid>

		<description>Be A God: Tribal BeijingMoving image work
Be A God - Tribal Beijing Length: 2 mins 08 sec
Someone once told me that the architecture is somehow like a god to us human beings; our modern life is dependent on it: we work, live, rest, born, love and die inside or around it, it is a god for us. 
For my own understanding and expanding, architecture is a skill which does not actually belong to humans. What people can do with it is called a “lucky found” while they are exploring the world. It is the skill that belongs to the Universe, which is a bit like a God, and how the Universe creates and builds the worlds. 


&#60;img width="3080" height="2240" width_o="3080" height_o="2240" data-src="https://freight.cargo.site/t/original/i/3306a6fd0d5cef3286129c3b4c66d6b4015352e947638e62f4e4e686bccd761c/2021-07-21-8.51.17.png" data-mid="150027761" border="0"  src="https://freight.cargo.site/w/1000/i/3306a6fd0d5cef3286129c3b4c66d6b4015352e947638e62f4e4e686bccd761c/2021-07-21-8.51.17.png" /&#62;

&#60;img width="3584" height="2098" width_o="3584" height_o="2098" data-src="https://freight.cargo.site/t/original/i/04251ac8b9ec06fbe52ff3a00151a10456d0410b858e8d0f2bd45aa3ca1b3ef5/2021-03-26-9.39.50.png" data-mid="150027739" border="0"  src="https://freight.cargo.site/w/1000/i/04251ac8b9ec06fbe52ff3a00151a10456d0410b858e8d0f2bd45aa3ca1b3ef5/2021-03-26-9.39.50.png" /&#62;

&#60;img width="3584" height="2094" width_o="3584" height_o="2094" data-src="https://freight.cargo.site/t/original/i/8add14bfc8d517ebf068373e98ef93f4b8474fe2c539f4e8d961adb5a3496de1/2021-03-26-9.27.15.png" data-mid="150027755" border="0"  src="https://freight.cargo.site/w/1000/i/8add14bfc8d517ebf068373e98ef93f4b8474fe2c539f4e8d961adb5a3496de1/2021-03-26-9.27.15.png" /&#62;

I found out that the social media networks which “locks” our daily life are a combination of “Rhythm” and “Architecture”. The way of clicking and sliding the applications and networks is actually a rhythmic pattern; and social media itself (including Wechat, Instagram, Youtube, even Zoom) is an architecture: a huge, endless plaza, each post is an independent room. I was thinking if I can build my own architecture based on the rhythm, and by following the principles, it would be like an algorithm and generative design, yet, the algorithm is the rhythm.
 
I felt like a god. While I was recording the sound and architecture in my city. I gave all life to streets, bricks, walls, and glass. I reconstituted the sound and noise of Beijing, and it leads to a newer “randomly” Beijing, which is an even bigger massive tribe. The only shame is that I cannot ask someone else to build the city with me, and I cannot live in that newer city for now.

The main two directions for the next step is that designing the whole system like a game: using musical rhythm pattern as a note controlling the architecture building so that everyone could join and build their own cities by rhythms; Applying projection mapping and other kind of techniques, design a space that allow audiences could actually feel and “live” in the city I (or them) build.</description>
		
	</item>
		
		
	<item>
		<title>Co-20</title>
				
		<link>https://zihao-lu.com/Co-20</link>

		<pubDate>Mon, 25 Jul 2022 14:06:30 +0000</pubDate>

		<dc:creator>Zihao Lu</dc:creator>

		<guid isPermaLink="true">https://zihao-lu.com/Co-20</guid>

		<description>Co - 20Moving image work
Co - 20&#38;nbsp;Length: 4 mins
</description>
		
	</item>
		
		
	<item>
		<title>A-Animal</title>
				
		<link>https://zihao-lu.com/A-Animal</link>

		<pubDate>Mon, 25 Jul 2022 14:06:30 +0000</pubDate>

		<dc:creator>Zihao Lu</dc:creator>

		<guid isPermaLink="true">https://zihao-lu.com/A-Animal</guid>

		<description>A-AnimalMoving image work (group)

A-Aminal (group work)&#38;nbsp;Length: 2 mins 58 sec&#38;nbsp;</description>
		
	</item>
		
		
	<item>
		<title>Lacquer Revive</title>
				
		<link>https://zihao-lu.com/Lacquer-Revive</link>

		<pubDate>Mon, 25 Jul 2022 14:06:30 +0000</pubDate>

		<dc:creator>Zihao Lu</dc:creator>

		<guid isPermaLink="true">https://zihao-lu.com/Lacquer-Revive</guid>

		<description>Lacquer ReviveMixed Media

I used my spare time to learn the techniques of lacquer painting, and I learnt that the lacquer art that was initially ﬂourishing for thousands of years in China has now stepped into the declination, which upsets me a lot. The reason is that the ﬁne quality of lacquer craftsmanship has been out of touch with the current concept of industrialization and standardization - the conﬂict between over decoration and and function-lead outcomes.&#38;nbsp;

However, what is really contrary is not the techniques of lacquer art. Therefore,I used the technique of lacquer art to achieve precise and standardized computer graphics.The result reﬂects the natural, uncontrollable and unrepeatable beauty of craftsmanship. Because of the practicality of natural lacquer, I&#38;nbsp;want to make the lacquer art outcomes become daily necessities for people, and combine the concept of contemporary design practice to achieve its revival.


&#60;img width="14080" height="7920" width_o="14080" height_o="7920" data-src="https://freight.cargo.site/t/original/i/1264226005e62bf497c60cac396fdbd8ca6899bfdc2a7b4af47f015020072d0b/Zihao-Lu---Portfolio_19.jpg" data-mid="150042093" border="0"  src="https://freight.cargo.site/w/1000/i/1264226005e62bf497c60cac396fdbd8ca6899bfdc2a7b4af47f015020072d0b/Zihao-Lu---Portfolio_19.jpg" /&#62;

&#60;img width="14080" height="7920" width_o="14080" height_o="7920" data-src="https://freight.cargo.site/t/original/i/b6d23894bdd104b9beb8a726c6d854e80574f8378934c7cceecd0e080e072c60/Zihao-Lu---Portfolio_21.jpg" data-mid="150042095" border="0"  src="https://freight.cargo.site/w/1000/i/b6d23894bdd104b9beb8a726c6d854e80574f8378934c7cceecd0e080e072c60/Zihao-Lu---Portfolio_21.jpg" /&#62;

&#60;img width="14080" height="7920" width_o="14080" height_o="7920" data-src="https://freight.cargo.site/t/original/i/cac4eb9344785d9062ff48a504342e174a84beda3d4c59e37ae55de7183179fe/Zihao-Lu---Portfolio_22.jpg" data-mid="150042096" border="0"  src="https://freight.cargo.site/w/1000/i/cac4eb9344785d9062ff48a504342e174a84beda3d4c59e37ae55de7183179fe/Zihao-Lu---Portfolio_22.jpg" /&#62;

Rules and natural&#38;nbsp;Length: 1 min 10 sec



&#60;img width="14080" height="7920" width_o="14080" height_o="7920" data-src="https://freight.cargo.site/t/original/i/9563faebc31b5bcda0ec8068f1c22bb2f9ab08f7418f5f13aba92e63e38a4c05/Zihao-Lu---Portfolio_24.jpg" data-mid="150042098" border="0"  src="https://freight.cargo.site/w/1000/i/9563faebc31b5bcda0ec8068f1c22bb2f9ab08f7418f5f13aba92e63e38a4c05/Zihao-Lu---Portfolio_24.jpg" /&#62;

&#60;img width="14080" height="7920" width_o="14080" height_o="7920" data-src="https://freight.cargo.site/t/original/i/5572fab1cc17160386680eb94542a25cd0841a63d303f96d2b6f69d3175bb011/Zihao-Lu---Portfolio_25.jpg" data-mid="150042099" border="0"  src="https://freight.cargo.site/w/1000/i/5572fab1cc17160386680eb94542a25cd0841a63d303f96d2b6f69d3175bb011/Zihao-Lu---Portfolio_25.jpg" /&#62;

&#60;img width="14080" height="7920" width_o="14080" height_o="7920" data-src="https://freight.cargo.site/t/original/i/985e4454cf56b1e96dd460880fa6de7a2db554bc59ca4a73040810e9d10a377f/Zihao-Lu---Portfolio_26.jpg" data-mid="150042100" border="0"  src="https://freight.cargo.site/w/1000/i/985e4454cf56b1e96dd460880fa6de7a2db554bc59ca4a73040810e9d10a377f/Zihao-Lu---Portfolio_26.jpg" /&#62;

&#60;img width="14080" height="7920" width_o="14080" height_o="7920" data-src="https://freight.cargo.site/t/original/i/bceb1afce77308c5d1a68f08224262ca05404373a03510a237815757df21361b/Zihao-Lu---Portfolio_27.jpg" data-mid="150042101" border="0"  src="https://freight.cargo.site/w/1000/i/bceb1afce77308c5d1a68f08224262ca05404373a03510a237815757df21361b/Zihao-Lu---Portfolio_27.jpg" /&#62;</description>
		
	</item>
		
		
	<item>
		<title>Wish You Good Luck</title>
				
		<link>https://zihao-lu.com/Wish-You-Good-Luck</link>

		<pubDate>Mon, 25 Jul 2022 14:06:31 +0000</pubDate>

		<dc:creator>Zihao Lu</dc:creator>

		<guid isPermaLink="true">https://zihao-lu.com/Wish-You-Good-Luck</guid>

		<description>Wish You Good LuckMixed media
Wish You Good Luck - Talisman instructions&#38;nbsp;Length: 1 min 18 sec

In the West, people encounter unlucky things and to get rid of a&#38;nbsp;jinx by doing "knock on wood." In&#38;nbsp;China, there is a move of the same&#38;nbsp;meaning, saying: Pe, Pe, Pe.&#38;nbsp;I am a very "superstitious" person&#38;nbsp;and have a "superstition system"&#38;nbsp;that combines the both of the&#38;nbsp;actions, which is also widely used&#38;nbsp;by people who are post-90s and&#38;nbsp;accepting both Eastern and Western education. We comfort ourselves and get instant happiness&#38;nbsp;by doing self-hypnosis.

In this project, I integrated the system of traditional Chinese&#38;nbsp;Taoism (Fu, Yin, Gang, Jue) with&#38;nbsp;the modern East and West superstitious culture, and designed a&#38;nbsp;system: getting rid of the jinx and&#38;nbsp;its anxiety by doing a set of a&#38;nbsp;formal process and make the&#38;nbsp;post-90s experience instant relief. 


&#60;img width="14080" height="7920" width_o="14080" height_o="7920" data-src="https://freight.cargo.site/t/original/i/b7a27cfb1611c45293006e625dc1b81990c702d44c3ace5612a1dd992dac3e80/Zihao-Lu---Portfolio_15.jpg" data-mid="150043680" border="0"  src="https://freight.cargo.site/w/1000/i/b7a27cfb1611c45293006e625dc1b81990c702d44c3ace5612a1dd992dac3e80/Zihao-Lu---Portfolio_15.jpg" /&#62;

&#60;img width="14080" height="7920" width_o="14080" height_o="7920" data-src="https://freight.cargo.site/t/original/i/ff09ffda1e8ad99bbbd08d4ae0eb927cffb66f7f317a251776c5bf31b0e8a70a/Zihao-Lu---Portfolio_16.jpg" data-mid="150043684" border="0"  src="https://freight.cargo.site/w/1000/i/ff09ffda1e8ad99bbbd08d4ae0eb927cffb66f7f317a251776c5bf31b0e8a70a/Zihao-Lu---Portfolio_16.jpg" /&#62;


&#60;img width="14080" height="7920" width_o="14080" height_o="7920" data-src="https://freight.cargo.site/t/original/i/4d21083fdef98804275cc56dcfdf21e001fb243bf4934da972c21eba15ff921d/Zihao-Lu---Portfolio_17.jpg" data-mid="150043741" border="0"  src="https://freight.cargo.site/w/1000/i/4d21083fdef98804275cc56dcfdf21e001fb243bf4934da972c21eba15ff921d/Zihao-Lu---Portfolio_17.jpg" /&#62;</description>
		
	</item>
		
		
	<item>
		<title>Others</title>
				
		<link>https://zihao-lu.com/Others</link>

		<pubDate>Mon, 25 Jul 2022 14:06:31 +0000</pubDate>

		<dc:creator>Zihao Lu</dc:creator>

		<guid isPermaLink="true">https://zihao-lu.com/Others</guid>

		<description>Other WorksMixed media
Moving Image Works:
Massage&#38;nbsp;Length: 1 min 50 sec


Performance Works:


Performance: Narrative of Ruined Space&#38;nbsp;Length: 7 min 20 sec


Curating:


Curating: private show in a ruined factoryRole: Team Leader, Curator&#38;nbsp;Length: 30 sec


Graphic Design works:
&#60;img width="4501" height="4501" width_o="4501" height_o="4501" data-src="https://freight.cargo.site/t/original/i/6f015812117bd40aa9b308b2f2758ef8101dbe64a505e1cf4306d22d33b62537/Zihao-IED-WIP-2021-Anna_INS.jpg" data-mid="150045377" border="0"  src="https://freight.cargo.site/w/1000/i/6f015812117bd40aa9b308b2f2758ef8101dbe64a505e1cf4306d22d33b62537/Zihao-IED-WIP-2021-Anna_INS.jpg" /&#62;

&#60;img width="4501" height="4501" width_o="4501" height_o="4501" data-src="https://freight.cargo.site/t/original/i/67ddbde067c7d3e73d334cc4b882c66e280e0242ccde1ddf003a3247a5c6c902/Zihao-IED-WIP-2021-Moving-image_INS.jpg" data-mid="150045383" border="0"  src="https://freight.cargo.site/w/1000/i/67ddbde067c7d3e73d334cc4b882c66e280e0242ccde1ddf003a3247a5c6c902/Zihao-IED-WIP-2021-Moving-image_INS.jpg" /&#62;
RCA, IED, Work In Progress Visual Identity (2021)Role: Leading graohic designer&#38;nbsp;
More design materials on request (Via Email, WhatsApp, Instagram)</description>
		
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